Mixed Feelings - Feminism, Mass Culture, and Victorian Sensationalism Essay

Mixed Feelings - Feminism, Mass Culture, and Victorian Sensationalism - Essay ExampleIn exploring the politics of sensationalism and affect, I presume that the surgical process of naming and assigning social and cultural meanings to bodily responses, such as sensations, has a tale. My project is thus part of the larger enterprise of producing a history of the body and of physiological experiences such as affect and sexuality. Recent scholarship in this area has been profoundly revisionist because it has provided histories of phenomena that had previously been considered natural or outside the snip of culture. The importance of Foucaults work on the history of sexuality, for example, resides not just in its specific details, but in its claim that sexuality has a history and is not a natural or prediscursive entity. 1 Tracing the cultural construction of the body or sexuality has revealed how ideologies are naturalized by the often occult work of attaching meanings to physical proc esses. I have studied the sensation novel and the politics of sensation in order to participate in this broader project of exploring the political consequences of constructing the body, sexuality, and affect as natural. Thus, I am less interested in offering a descriptive history of the sensation novel than in considering how a discourse about the sensational or affective serves as a vehicle for the promulgation of ideologies of gender and mass culture. And I have found in Victorian criticism of the sensation novel an opportunity to examine how and why sensationalism acquired its new meaning and a bad reputation. What I have uncover points to a more general theory of the politics of sensationalism.